You can watch the full documentation of BODY AND FREEDOM FESTIVAL 2015 if you pay 36 CHF on IBAN CH22 0900 0000 2500 3247 9, Swift-Bic-Code: POFICHBE, Thomas Zollinger and by sending an e-mail with your name to You receive links and passwords to 21 original video-documentations of the festival 2015, with totally more than 6hr videofilm. Willst du vom BODY AND FREEDOM FESTIVAL 2015 alle Dokumentationen sehen, so zahle 36 CHF auf IBAN CH22 0900 0000 2500 3247 9, Swift-Bic-Code: POFICHBE, Thomas Zollinger und sende ein e-Mail an Du erhältst die Links zu 21 Original-Dokumentationen der Festival-Performances, total über 6 Stunden Videofilm. Es konnte dank den Bezahlvideos auf vimeo (vimeo on demand) um etwa 3000 CHF verkleinert werden. Lang from Naked Projects on Vimeo.īody and Freedom: Elya May / Alina Kopytsa from Naked Projects on Vimeo.īody and Freedom: Rebecca Rymann from Naked Projects on Vimeo.īody and Freedom: Manuel Scheiwiller from Naked Projects on Vimeo.īody and Freedom: Imre Thormann from Naked Projects on Vimeo.īody and Freedom: Katharina Vogel from Naked Projects on Vimeo.īody and Freedom Festival Vanessa Wyssbrod from Naked Projects on Vimeoīody and Freedom: Thomas Zollinger from Naked Projects on Vimeo.ĭas Defizit des BODY AND FREEDOM FESTIVAL 2015 beträgt trotz Unterstützung durch die Stadt Biel, den Kanton Bern und privaten Gönnern 25’000 CHF. Support BODY AND FREEDOM FESTIVAL! Best way is here (Zurich 2018) or here (Biel 2015) on vimeo.Ģnd Body and Freedom Festival from Naked Projects on Vimeo.īody and Freedom Festival from Naked Projects on Vimeo.īody and Freedom Festival Glynis Ackermann from Naked Projects on Vimeo.īody and Freedom: Le Corps collectif from Naked Projects on Vimeo.īody and Freedom: Foofwa d’Imobilité from Naked Projects on Vimeo.īody and Freedom: Gisela Hochuli from Naked Projects on Vimeo.īody and Freedom: Flavia Ghisalberti / Valentin Tszin from Naked Projects on Vimeo.īody and Freedom: Lan Hungh from Naked Projects on Vimeo.īody and Freedom: Abraham Hurtado from Naked Projects on Vimeo.īody and Freedom: Miru Kim from Naked Projects on Vimeo.īody and Freedom: Annie Lam from Naked Projects on Vimeo.īody and Freedom: Till A. Deine Unterstützung ist sehr willkommen und hilft, ein drittes Festival zu ermöglichen: IBAN CH22 0900 0000 2500 3247 9, Swift-Bic-Code: POFICHBE, Thomas Zollinger. He says he felt "both prudish and fortable and uncomfortable.but the nudity adds very little.I see that we are created in diffferent ways but I know that anyway," he says.Auf dieser Seite siehst du die Video-Kurzversionen von den beiden BODY AND FREEDOM FESTIVAL (20), im Originalton, ohne Titel, ohne Kommentar, ohne Musik.ĭie komplette Videodokumentation findest du hier (Zürich 2018) und hier (Biel 2015) auf vimeo on demand.ĭas Defizit des Festivals 2018 in Zürich beträgt 30 000 CHF. "Mostly those in the chorus, but singers too.and full frontal nudity.dangling willies, five drag queens and frentic bumping and grinding everywhere." Swedish Radio's culture correspondent, Per Feltzin, told listeners about his experience, of how nakedness was on display within two minutes of the curtain going up. It's really strange, difficult to relate to, and very difficult to understand." "We were very surprised, it's some kind of censorship of artistic expression. The director cannot understood why Stockholm public transport operator SL, no stranger to allowing controversial advertising, will not put up posters for La Traviata on its buses and underground train stations. Highlights of Handels Messiah, an opera produced by Tim Nelson, American Opera Theatre, performed at Georgetown University. It is a clear signal and I think it is absolutely wonderful with this showing of female Power," she says. The poster is also very clear with Violetta sitting naked on a horse. Our marketing department has really been clear. "One imagines that it might be a little shocking to sit in the theatre close to the stage. Swedish director Mellika Melouani Melani tells SVT News that there is no reason for opera lovers to be shocked by the nudity. This modern reworking of Verdi's immensely popular opera, from the 1800s, featuring the story of the courtesan Violetta, who finds love, has Violetta as no male sex object but a strong independent woman, with power over her own sexuality. It was due to run last summer, only for flash flooding to wipe out the interior of the opera building, forcing its closure for 6 months - the wrath of the opera gods maybe or tears from Italian traditionalists. Indeed, a 12 plus certificate rating has been put on Folkoperan's performance of La Traviata. Not for the faint hearted, or the young at heart. The chorus and the leads, in the all together.
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